Portfolio

The work, in detail.

Every role told for what it actually was: what I did, with which tools, and what came out of it. Grouped by area of work, with the materials produced along the way.

01
Social media & community

Building a community, not just posting.

Running channels with hundreds of thousands of people on the other side: formats, calendar, native video production and direct conversation with the community.

Pianeta Serie B
Social Media & Community Manager
Feb 2023 → present

Changing register without losing authority

Pianeta Serie B, social and community — February 2023 to date

The context

I have worked with Pianeta Serie B since 2017 as a content editor. In February 2023 I took over the outlet’s social channels: Instagram, Facebook and TikTok, with around 35,000 followers in total. The editorial line mirrored the website: news, line-ups, results. A loyal audience, but monthly views were very limited and had been flat for a long time.

Screenshot of the Pianeta Serie B Instagram profile showing follower and view figures
The Instagram profile today: 19.2k followers and 3.2 million views in the last 30 days. The 75,000 total also includes Facebook and TikTok
The problem

Serie B has a large potential audience and limited national media coverage. Our social channels were not growing because they published the same news available everywhere, in the same tone. On that ground the advantage belongs to national outlets, which are faster and better resourced. Our real advantage was different: nine years of continuous presence on the league and a depth of knowledge no generalist newsroom has.

The decisions
  • Change the register, not the subject. From October 2024 I moved the editorial line towards infotainment: the same expertise on the league, the language of the platforms. I ruled out the opposite route, adopting a meme-page model: it would have delivered reach quickly, but it would have detached the channels from the credibility of the outlet, which is the one asset that cannot be replicated.
  • Recurring formats instead of a news feed. Recognisable content that the audience expects generates return visits; an isolated news item does not. Il Pagellone is the longest-running example: fixed structure, rating, highlighted headline and keywords marked in the copy, first applied to the season and now to the single matchday.
  • Native video shot pitchside. Direct presence at stadiums is the only asset remote competitors cannot replicate, so I made it central rather than incidental: clips, reels and short-form filmed and edited during events.
  • Platforms treated as distinct audiences. TikTok is not a mirror of Instagram: pace, length and opening seconds were differentiated by channel.
  • Weekly data review with an exit rule. Every format gets a defined number of releases to prove it works, after which it is corrected or dropped. Without that rule, format review tends never to happen.
Grid of reels published on the profile, each showing its own view count
A selection of reels, from 7,000 to 224,000 views
Results
35,000 → 75,000total followers across platforms, all organic (Feb 2023 – Sep 2026)
+20%average engagement
3M+monthly content views
3Mviews on the best performing piece
Post published on the profile, with view and interaction figures visible
The peak post: 291,000 views and 12,900 likes
What I would do differently

I would set a documented per-platform baseline and a defined set of indicators on day one, before the editorial shift rather than after it. Having the starting data in order is worth as much as the result, because it is what makes the result provable. And I would test the new line on a single channel before rolling it out across all three.

What I did
  • Format design and editorial calendar management across Instagram, Facebook and TikTok.
  • Native video production — reels, clips and short-form — shot and edited live during events, using Adobe Premiere, CapCut and Canva.
  • Daily community management: moderating comments and DMs, engaging fans, players and industry insiders.
  • Performance analysis with Instagram Insights and Meta Business Suite, continuously adapting formats to the data.
Links
02
Communication & press office

Media relations, from accreditation to coverage.

Press office work as it really is: relationships with outlets, press releases, accreditations, and building the official narrative of an international project in Italy.

Kings League Italy
Communications Specialist
Dec 2024 → Jul 2025

Getting traditional media to cover a format that does not speak their language

Kings League Italia, press office and communications — December 2024 to July 2025

The context

From December 2024 to July 2025 I ran communications and press office for Kings League in Italy, a sports entertainment format created in Spain that entered the Italian market with a community already built around creators, a young audience and no established Italian communications structure behind it.

The Inalpi Arena pitch at the end of the European Finals
European Finals, Inalpi Arena in Turin — 22 May 2025
The problem

The format needed legitimacy with traditional sports media without losing the language that made it recognisable. These are two audiences with opposite expectations: newsrooms want newsworthiness, a clear hierarchy of information and quotable sources; the community wants pace, irony and belonging. A single register for both would have lost one or the other.

Sponsor-branded press wall set up for post-match interviews
The European Finals press backdrop
The decisions
  • Separate registers by channel instead of looking for a compromise. Press releases and newsroom relations in standard journalistic language, website and social in the native language of the format. Neither audience perceived a forced tone, because each met the format on its own ground.
  • Build the first Italian editorial plan for the official website. Give newsrooms a quotable primary source in Italian, with features, recaps and exclusive interviews, instead of chasing individual requests. From that point the site became the starting point of coverage rather than an archive.
  • Treat matchdays as traditional sports events. Accreditation, mixed zone, press backdrop and orderly distribution of materials across more than 20 matchdays: the fastest way to get a new format into a newsroom is to use the codes that newsroom already knows.
  • Manage creators the way you manage media outlets. Collaborations with digital talent were set up with media relations logic, with dedicated materials and agreed timing, not as an activity separate from the press office.
  • Use coverage monitoring as a steering tool. Monitoring was not there to report after the fact but to understand which angles worked with which outlets and to reorient the following releases. I had ruled out relying only on earned coverage generated by creators: faster, but it would not have produced coverage in traditional sports media, which was the objective.
Reporters and cameras in the mixed zone during a matchday
Mixed zone and interviews with the protagonists
Results
500+mentions in national and international media in 7 months
150+press releases written and distributed
20+matchdays with accreditation managed
1stItalian editorial plan for the official website

Coverage obtained on Sky Sport, Corriere dello Sport, Mediaset and Fanpage in Italy, and on Marca, AS and Mundo Deportivo in Spain, among others.

Home page of the official Italian website with featured articles
The official Italian website, with the editorial plan I set up
What I would do differently

I would set up qualitative measurement alongside volume from the start: share of voice against other sports entertainment formats, tone of mentions, weight of the outlets. Five hundred mentions tell you how much the format was talked about, not how it was talked about, and the second question is the one that matters when a campaign is assessed.

What I did
  • Running the Italian press office: releases, media relations, accreditation and newsroom relationships.
  • Press coverage monitoring to measure the format’s impact and visibility across Italian media.
  • Design and management of influencer marketing strategies with digital talent and online communities.
  • Video production and editing for live event coverage, including the European Finals at the Inalpi Arena in Turin.
Links
Communications consultancy for sports talent
Agency linked to Pianeta Serie B
Ongoing
What I did
  • Communications management for talent in the sports industry, including coaches and players: public positioning, media appearances and digital presence.
  • Direct, continuous client relationship, from brief to execution.
Field coverage
Serie A and Serie B
2017 → present
What I did
  • Accreditation and on-site presence at press conferences, presentations and official matches.
  • Interviews and pre/post-match reports filed from Serie A and Serie B press rooms and stands.
  • Ongoing relationships with club press offices and colleagues from other outlets.
03
Editorial content & SEO

Nine years of daily production.

From the story to its distribution: writing, fact-checking, publishing and optimising, across outlets with different audiences and rhythms.

Pianeta Serie B
Content Editor
Jul 2017 → present
What I did
  • Ongoing production of articles, interviews and reports on the Serie B league.
  • First-hand coverage of live events: press conferences, presentations and official meetings.
  • End-to-end WordPress workflow management, from writing through publication and maintenance.
  • SEO and GEO optimisation on every piece: intent research, headlines, structure and internal linking.
Links
Pianeta Champions
Content Editor UEFA · in partnership with OneFootball
Nov 2023 → present
What I did
  • Writing and editing content on European football and the main UEFA competitions.
  • Daily publishing on WordPress, ensuring accuracy, consistency and timeliness.
  • Coordination with the social team for cross-channel consistency, adapting headlines and formats to distribution.
Links
I Love Palermo Calcio
Digital Content Editor · Palermo FC
Jul 2018 → Sep 2021
What I did
  • Daily editorial coverage of Palermo FC, with a digital angle and a community focus.
  • Articles, interviews and pre/post-match reports, with direct presence at press conferences and official games.
  • Publishing and content management on WordPress, plus multi-channel distribution with the social team.
Links
04
Video production

From the shoot to the delivery.

Filming on the pitch, editing and preparing materials for online and television distribution, with the whole workflow handled end to end.

LGI Sport
Content Producer · Palermo youth academy
Oct 2023 → Oct 2024
What I did
  • Around 20 youth sector matches filmed and edited end to end — Primavera, U17, U16 and U15 — from shooting to delivery of materials for online and TV distribution.
  • Editing and post-production of highlights, clips and short-form content, from the shoot to the final export.
  • Coordination with editorial and technical teams on briefs, rundowns, deadlines and production standards.
Links
AI & content production
Editorial and video workflow
What I did
  • Generative AI tools integrated into the editorial and video production workflow: ideation, drafting, per-platform copy variants, visual asset generation and synthetic voice.
  • Tools in use: Claude, ChatGPT, Gemini, Higgsfield, ElevenLabs, Nano Banana.
  • Repeatable workflows, with human review on accuracy, tone and consistency with the editorial line.
05
Streaming & OTT platforms

Content built for a platform.

A different context from publishing: here content lives inside a catalogue, and has to be findable, consistent and worth clicking.

Mediaset Group
Streaming Content Editor · Infinity+
Jan 2022 → Jul 2022
What I did
  • Support in developing editorial and promotional strategies for Infinity+ content, with the Marketing & Communication team.
  • Editorial planning of UEFA Champions League content and operational coordination with creators and external suppliers.
  • On-platform experience curation: metadata, content pages and 10 editorial collections, with copy and grouping criteria adapted to different target audiences.
  • Engagement monitoring during campaigns on external channels and data-driven content optimisation.
Links
06
Personal brand & creator

The same tools, on my own profile.

Analysis and commentary on the business of sport published under my own name, where I test formats and language before bringing them to client channels.

Content under my own name
Instagram · TikTok
Ongoing
What I did
  • Carousels and vertical videos analysing sponsorship, media rights and emerging trends in football.
  • Recurring formats built on the same editorial criteria I apply to client channels.
  • Writing, design and editing handled entirely on my own.
Results
2,924followers on the TikTok profile
49,213likes collected across posts
Links
LinkedIn
Sport business analysis
Ongoing
What I did
  • Fifty posts across the twelve months measured: analysis and commentary on the business of sport, covering sponsorship, media rights, club models and international case studies.
  • Formats built on the same editorial criteria I apply to client channels: angle, headline, structure and publishing rhythm.
  • Three pieces passed 10,000 impressions each in that window.
Results
187,423total impressions over twelve months
53,497unique users reached
2,330total interactions
+1,437new followers, 4,338 in total (+49%)
1.24%average engagement rate, peaking at 1.67%

Results recorded between September 2025 and September 2026. The editorial activity is ongoing.

Top performing posts
PostPublishedImpressionsInteractions
FC Versailles29/10/202515.676112
Effetto Vardy09/09/202514.531147
Il sogno americano del Campobasso15/10/202510.690181
Futsal16/12/20259.472146
Effetto Indonesia08/10/20259.341
RCD Mallorca01/10/2025111

LinkedIn Analytics data, 7 September 2025 – 6 September 2026. A dash means the figure fell outside the top five of that particular ranking.

Links
07
Projects and simulations

The testing ground.

One professional reporting project for a real organisation, and three simulations developed during the IULM Master in Sports Marketing and Communication, where I applied the same methods to constructed briefs.

VSME/EFRAG sustainability report
Bologna Sport Marathon SSD · University of Bologna
Jun 2026 → Jul 2026
What I did
  • The organisation’s first sustainability report, drafted according to the VSME standard published by EFRAG for small and medium enterprises.
  • The full reporting cycle: mapping the organisation’s activities and systematically collecting environmental, social and governance data.
  • Selecting the indicators relevant to the scope and liaising with internal functions to validate the information.
  • Drafting the document and shaping the narrative of its contents.
  • Adapting indicators to the context of mass sporting events, where reporting is still rare: participant mobility, waste management along the route, territorial impact and social effects on the local community.
  • Produced within the «Sustainability Manager in Sport» advanced course at the University of Bologna, for a real sports organisation.
Supercup sponsor activation
Serie A League x EA Sports · IULM University
Nov 2023 → Dec 2023
What I did
  • Activation plan for EA Sports FC, title sponsor of the EA Sports FC Supercup, developed with the support of the Serie A League.
  • Fan engagement strategies across every phase of the event: build-up, match day and post-event.
  • Consistency with the brand’s positioning in sports sponsorship.
«Timekeeper» concept
Serie A League x luxury brand · IULM University
Nov 2023 → Dec 2023
What I did
  • A new sponsorship concept designed to position a luxury brand within professional football.
  • A prestige role built around the ideas of time, precision and style.
  • In line with the trend of luxury brands entering sport through roles with strong symbolic value.
Business plan for a new stadium
Palermo FC · IULM University
Oct 2023 → Nov 2023
What I did
  • Business plan for a club-owned stadium for Palermo FC, in line with City Football Group infrastructure and strategy standards.
  • A modern, sustainable and multi-purpose venue, placed in an urban area due for regeneration and integrated into its surroundings.
  • International benchmark analysis and assessment of economic and environmental impact.
  • A management model built for financial self-sufficiency: naming rights, hospitality, events and retail.

Let’s talk.

If one of these areas is what you need, get in touch.